Chaired by our co-Artistic Director, Paul Lewis, and featuring a roster of world-leading pianists and musicians, our Jury is supremely placed to identify and nurture the very best pianists at The Leeds.
Paul Lewis CBE
Paul Lewis CBE is Chair of the 2018 jury and co-Artistic Director of the Leeds International Piano Competition.
Paul Lewis is internationally regarded as one of the leading musicians of his generation. His cycles of core piano works by Beethoven and Schubert have received unanimous critical and public acclaim worldwide, and consolidated his reputation as one of the world’s foremost interpreters of the central European classical repertoire. His numerous awards have included the Royal Philharmonic Society’s Instrumentalist of the Year, two Edison awards, three Gramophone awards, the Diapason D’or de l’Annee, the Preis Der Deutschen Schallplattenkritik, the Premio Internazionale Accademia Musicale Chigiana, and the South Bank Show Classical Music award. He holds honorary degrees from Liverpool, Edge Hill, and Southampton Universities, and was appointed Commander of the Order of the British Empire (CBE) in the 2016 Queen’s Birthday Honours.
He appears regularly as soloist with the world’s great orchestras, including the Boston Symphony, Chicago Symphony, London Symphony, London Philharmonic, Bavarian Radio Symphony, NHK Symphony, New York Philharmonic, LA Philharmonic, and the Royal Concertgebouw, Cleveland, Tonhalle Zurich, Leipzig Gewandhaus, Philharmonia, and Mahler Chamber Orchestras.
Plans for the 2016/17 season include Beethoven concerto cycles with Melbourne Symphony Orchestra, the São Paulo State Symphony Orchestra, and the Royal Flemish Philharmonic Orchestra, appearances with the Orchestre de Paris and Daniel Harding, the Philharmonia with Andris Nelsons, the Chicago Symphony with Manfred Honeck, and the Bavarian Radio Symphony Orchestra with Bernard Haitink. The 2017/18 season sees the start of a two year recital series exploring connections between the sonatas of Haydn, the late piano works of Brahms, and Beethoven’s bagatelles and Diabelli Variations.
Paul Lewis’s recital career takes him to venues such as London’s Royal Festival Hall, Alice Tully and Carnegie Hall in New York, the Musikverein and Konzerthaus in Vienna, the Theatre des Champs Elysees in Paris, the Concertgebouw in Amsterdam, and the Berlin Philharmonie and Konzerthaus. He is also a frequent guest at the some of the world’s most prestigious festivals, including Tanglewood, Ravinia, Schubertiade, Edinburgh, Salzburg, Lucerne, and the BBC Proms where in 2010 he became the first person to play a complete Beethoven piano concerto cycle in a single season.
His multi-award winning discography for Harmonia Mundi includes the complete Beethoven piano sonatas, concertos, and the Diabelli Variations, Liszt’s B minor sonata and other late works, all of Schubert’s major piano works from the last six years of his life including the 3 song cycles with tenor Mark Padmore, solo works by Schumann and Mussorgsky, and the Brahms D minor piano concerto with the Swedish Radio Symphony Orchestra and Daniel Harding. Future recording plans include a multi-CD series of Haydn sonatas, Beethoven’s bagatelles, and works by Bach.
Paul Lewis studied with Joan Havill at the Guildhall School of Music and Drama in London before going on to study privately with Alfred Brendel. He is co-Artistic Director of Midsummer Music, an annual chamber music festival held in Buckinghamshire, UK, and the Leeds International Piano Competition.
Adam Gatehouse is co-Artistic Director of the Leeds International Piano Competition.
Adam was born in London and studied conducting at the Guildhall School of Music in London, where his teachers included Sir Adrian Boult and Andre Previn.From 1974 to 1991 he enjoyed an international career as conductor, working as Music Director with Ballet Rambert, Dutch National Ballet and the Dutch National Youth Orchestra, and guest conducting at the Royal Opera House, Covent Garden, and in France, Spain, Germany, Italy, Canada and the USA.
From 1991 to 2013, Adam was a producer and later Editor Live Music with BBC Radio 3, where he has worked with many of the leading artists of the time such as Mitsuko Uchida, Itzak Perlman, Ian Bostridge, Felicity Lott and Pierre Boulez. In 1998 he launched the BBC Wigmore Hall Lunchtime Concert series, Radio 3’s flagship Chamber Music Series. He also started the LSO St. Luke’s Lunchtime Concert series in collaboration with the LSO. In 1999 he created and for 14 years was Editor of BBC Radio 3’s prestigious New Generation Artists scheme, which helped launch the careers of over 100 international artists and ensembles, including Paul Lewis, Stephen Osborne, the Belcea Quartet, Alison Balsom, Alice Coote, Janine Jansen and more recently Benjamin Grosvenor and Igor Levit. While at BBC Radio 3 he curated and edited several special composer series, including special days for Verdi, Janacek, Berlioz and Walton, and two “composer weeks” devoted to the music of Tchaikovsky (2009) and Schubert (2012). His programmes have won numerous awards, including the Sony Awards for documentaries about Prokofiev and Rudolf Nureyev.
In July 2013 he conducted the world premiere of “and the Crowd (wept)”, a new opera by Erick Flores and Afsaneh Gray, at Riverside Studios in London as part of the Tete à Tete Festival. He has served on the juries of the BBC Cardiff Singer of the World and the Leeds International Piano Competition. Adam Gatehouse was also the Founder and Director of the internationally acclaimed Festival de Valloires in Picardy, France.
Imogen Cooper CBE
Regarded as one of the finest interpreters of Classical and Romantic repertoire, Imogen Cooper is internationally renowned for her virtuosity and lyricism.
During the 2016/17 season she will perform with the Berliner Philharmoniker and Sir Simon Rattle, Sydney Symphony with Simone Young and the BBC Scottish Symphony Orchestra with Thomas Dausgaard. Solo recitals will include Boston, London and Australia. Last season, she appeared with the London Symphony Orchestra and Bernard Haitink, Seattle Symphony and Kioi Sinfonietta in Japan, as well as performing recitals in New York, Philadelphia and Paris.
Imogen Cooper has a widespread international career and has appeared with the New York Philharmonic, Philadelphia, Boston, Cleveland, Vienna Philharmonic, Royal Concertgebouw, Leipzig Gewandhaus, Budapest Festival and NHK Symphony Orchestras. She has also undertaken tours with the Camerata Salzburg, Australian and Orpheus Chamber Orchestras. She has played at the BBC Proms and with all the major British orchestras, including particularly close relationships with the Royal Northern Sinfonia and Britten Sinfonia, play/directing. Her recital appearances have included Tokyo, Hong Kong, Singapore, Vienna, Prague, the Schubertiade in Schwarzenberg and an extensive tour in Australia.
As a supporter of new music, Imogen Cooper has premiered two works at the Cheltenham International Festival; Traced Overhead by Thomas Adès (1996) and Decorated Skin by Deirdre Gribbin (2003). In 1996, she also collaborated with members of the Berliner Philharmoniker in the premiere of the quintet, Voices for Angels, written by the ensemble’s viola player, Brett Dean.
Imogen Cooper is a committed chamber musician and has performed regularly with the Belcea Quartet and cellist Sonia Wieder-Atherton. As a Lieder recitalist, she has had a long collaboration with Wolfgang Holzmair in both the concert hall and recording studio. Her discography also includes Mozart Concertos with the Royal Northern Sinfonia (Avie), a solo recital at the Wigmore Hall (Wigmore Live) and a cycle of solo works by Schubert recorded live and released under the label ‘Schubert Live’. Her recent recordings for Chandos Records feature music by Brahms, Chopin and Robert and Clara Schumann.
Imogen Cooper received a CBE in the Queen’s New Year Honours in 2007 and was the recipient of an award from the Royal Philharmonic Society the following year. In 1997 she was awarded an Honorary Membership of the Royal Academy of Music and in 1999 she was made a Doctor of Music at Exeter University. Imogen Cooper was the Humanitas Visiting Professor in Classical Music and Music Education at the University of Oxford for 2012-13. The Imogen Cooper Music Trust was founded in 2016, to support young pianists at the cusp of their careers, and give them time in an environment of peace and beauty.
Lars Vogt has established himself as one of the leading musicians of his generation.
Born in the German town of Düren in 1970, he first came to public attention when he won second prize at the 1990 Leeds International Piano Competition and has enjoyed a varied career for nearly twenty-five years. His versatility as an artist ranges from the core classical repertoire of Mozart, Beethoven, Schumann and Brahms to the romantics Grieg, Tchaikovsky and Rachmaninov through to the dazzling Lutoslawski concerto. Lars Vogt is now increasingly working with orchestras as a conductor and in September 2015 took up his post as Music Director of Royal Northern Sinfonia at Sage, Gateshead.
During his prestigious career Lars Vogt has performed with many of the world’s great orchestras including the Royal Concertgebouw Orchestra, Berlin Philharmonic, Deutsches Symphonie-Orchester Berlin, Dresden Staatskapelle, Vienna Philharmonic, London Philharmonic, London Symphony Orchestra, City of Birmingham Symphony Orchestra, New York Philharmonic, Boston Symphony, NHK Symphony and Orchestre de Paris. He has collaborated with some of the world’s most renowned conductors including Claudio Abbado, Daniel Harding, Mariss Jansons, Paavo Järvo, Andris Nelsons, Sir Simon Rattle and Robin Ticciati. His special relationship with the Berlin Philharmonic has continued with regular collaborations following his appointment as their first ever “pianist in Residence” in 2003/4.